Magical! Photo Credit: Erik Voake
Thursday, January 28, 2010
ERIK VOAKE PHOTOGRAPHY EXHIBIT: ROXY 365 – A YEAR AT THE ROXY THEATRE
By: Brent X Mendoza
For one night only, The Roxy Theatre was transported to Beverly Hills. Complete with the usual door woman and bartenders, most of the staff were present, either working or as spectators, to celebrate the work of Erik Voake. Working independently as the unofficial house photographer for The Roxy, the photog/video director has been capturing images, documenting the amazing performances and exclusive happenings at the legendary venue for the past year. Voake says, “This wasn’t about celebrities or famous people… it’s more about a venue, family owned and operated, who pull off the same talent as The Staples Center, only for 500 people… The Roxy isn’t just a music venue… it’s a community. I challenge anyone, to find another place in the world with this pool of talent”.
Known for their existing collection of works by prominent celeb photographers, The Celebrity Vault hosted the packed crowd of music enthusiasts at this gallery gala. Industry movers and shakers, city representatives, and musicians all packed the place to get a glimpse of Voake’s vision through the lens. In attendance, Lou Adler (founder of The Roxy), Cisco Adler (Shwayze), Slim Jim Phantom (Owner The Cat Club/drummer Stray Cats), Steve Jones (The Sex Pistols), and SSBA Executive Director and founder of The Sunset Strip Music Festival Todd Steadman.
With so many great shots, you would be hard pressed to rank them or make note of one over another. As an overview, the works included the performances and events at the 2008 Sunset Strip Music Festival (Juliette and The Licks, Slash, Larry King with Roxy and Whisky founders Lou Adler and Mario Maglieri respectively), Robby Krieger and Ray Manzarek (The Doors), Cheech and Chong, and multiple photos of fallen Roxy brother DJ AM.
When asked for his thoughts on the photo tribute to The Roxy, current owner and operator of The Roxy Nic Adler said, “I am shocked at the turnout… I shouldn’t be though, all the faces here are a testament to the work The Sunset Strip has done to build this community”. It’s people like Voake, who are out every other night documenting The Strip that are the reason old faces keep returning and new faces keep popping up at venues like The Roxy which has thrived for over 35 years.
Saint Motel are one of our favorite bands making their way onto the Roxy scene! We are suckers for anything with a theme, and lucky for us - they feel the same way. This time around, they take us to their very own Zombie Prom on the heals of Vantentine’s day. They are the ultimate date - so join us for romantically scary drink specials and costumes!!
Click here for the best video ever!
While our beautiful Sunset Strip gets a face lift we want to make sure you are all abreast of all the construction hold ups to make your life that much smoother! So hang tight - and remember, the end result will be amazing!!
Provided by The SSBA
For the week of Jan 25 - Feb 1, 2010.
Work hours: 9 am - 4 pm, Monday-Friday.
Work located in area near La Cienega.
Lanes reduced down to one lane in the east and one lane in the west bound direction 24 hours a day, for construction of bus stop concrete pads.
Concrete bus pads, one located on the north side of the street west of La Cienega/Miller Dr and one on the south side of the street east of La Cienega will be under construction. It takes 7 days for the concrete to harden enough to put the volume of traffic back on the roadway. While this concrete is hardening, in the areas of the new bus pad will be reduced down to one lane both in eastbound and the westbound direction. When possible the area will be reopened to 2 lanes of traffic.
It is anticipated that these lanes will return reopen on Monday, Feburary 8. Rain is expected on Tuesday, January 26, which may cause changes to the construction schedule.
Bus stops at these 2 locations have been relocated about 100 feet away as the posted signs indicate.
All businesses will be open to their normal business hours.
Commuters should expect delays, plan for additional time to get through the area, or chose an alternate route.
For more information on the project, visit www.weho.org/sunsetproject.
Also, not related to the Sunset Strip Beautification project, AT&T is fixing a line on Sunset near The Standard hotel. They are working for the next few days on the southside of the street and in the sidewalk. They start work at 10 am and leave by 4 pm each day. This work was coordinated with the hotel.
The success of our ClubRox passes has been phenomenal. We sold out of our original allotment super fast, and have enjoyed meeting all our new friends - so far the winner has seen a record setting ELEVEN shows in 25 days. We are happy to announce that we are releaseing 25 more #clubrox passes - for $250. We’re three weeks into the year and have already seen, Howie Day, Shwayze, Monte Negro, Dumpstaphunk, a myriad of great local tunes - and we’re just picking up steam! Call the box office directly at 310 278 9457 - to get yours!
- $250
- Entrance to any show at The Roxy and On The Rox *
- Limited Edition membership card
- Front of the line access
- Exclusive drink specials
- +1 Privileges for select shows
- VIP Access for select shows
- Available thru The Roxy box office (310 278 9457)
*excludes private events/non-ticketed shows
This is our way of showing our appreciation for all of our loyal customers and new patrons we’ve met this past year. Thanks for helping us make 2009 a great year and being part of our community!
Special shout out to our new show reviewer - Mr Brent Mendoza! He’s a man on the strip, with an ear for whats hot! Only fitting that his first review is SHWAYZE!!
Shwayze at The Roxy Theatre
Friday, January 22, 2010
By: Brent X Mendoza
It was one of those rare nights in Socal, one of the few nights during the year cold enough to see your own breath. Outside The Roxy Theatre were a surprising number of not so bundled up teens lining The Sunset Strip, waiting to get in to the sold out show. The kids had been huddled in the cold, some for a couple hours, demonstrating the kind of commitment unique to that age group; a time when music so echoes your teenage sentiments that when tickets to the show ran out, more than one tearful teen was observed pleading with the doormen to gain entrance.
After much anticipation, the curtain rose and the mostly female audience erupted into frenzy as Shwayze and Cisco Adler exploded onto the stage. Amidst a backdrop of red neon lights and an imposingly large banner brandishing the colorful Shwayze logo, the group launched into “California Girl” with Cisco switching off between rapping on the mic and strumming his guitar. The duo dressed in their characteristic tight bright pants had an instant command and comfort on stage, interacting with the audience as they flawlessly harmonized and flowed.
The crowd, which was packed to the rafters, raised the temperature inside The Roxy a good twenty degrees, creating a stark contrast to the freezing temperatures outside. Drawing equally from both Shwayze releases, the audience grew more and more rambunctious with each passing song. Complete with homemade posters and young girls dancing on the shoulders of their boyfriends, the scene was reminiscent of the kind of fan fever usually displayed during a pop concert.
The show was a give and take between performers and observers as the stage joined the floor for one big party. Songs like “Rich Girl” and “Maneatrr” where Shwayze and Cisco worked in a number of props to L.A. and Hollywood showed off some well rehearsed collaboration and whipped the audience into a near manic state. Calling The Roxy “home sweet home”, Shwayze’s music and lyrics showcase the fun in the sun, carefree Socal living represented best by the stretch of L.A. between Malibu and Hollywood.
Other highlights of the evening included the thumping club beats on “Get You Home” and the brass section of one during “Livin’ It Up”, both songs serving as prime examples of the musical departure on the new record, Let It Beat.
The lengthy set reached an apex when G Love (G Love & Special Sauce) joined the band onstage for “Buzzin’”, the final track of the evening. G Love took the vocal lead on the closer as Shwayze and Cisco acted as backups, changing the chorus to “buzzin’ all over G” in honor of the guest vocalist. The curtain dropped promptly after the last notes of the song and without a goodbye or a thank you the band left the stage, because on a night like this where performances go off this smoothly, sometimes there’s nothing left to say.

(@santigold, @laurahess and @sarahrabby)
Youtube Credit: Demiangel90210
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