We are extremely excited to announce today our new partnership with the fine folks at Filter Magazine, who will be bringing us a series of rockin’ shows weekly here at The Roxy. The time has come for Filter to ensure that good music will prevail… and reign supreme on the Sunset Strip. Filter prides itself on being a magazine for people who love music; and for the first time Filter is literally bringing these live acts to the people. Revenge of the Sunset Strip kicks off on Thursday, July 19th with KENNA, and continues with J*DaVeY and POP LEVI in the weeks to come. More “Filter Magazine’s Revenge of the Sunset Strip” shows will be annonced shortly, so stay tuned - you are not going to want to miss these parties! In the mean time, check out some of the amazing bands that will be a part of these exciting shows!
Continue reading ‘Filter’s Revenge’
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The eldest son of an immigrant family relocated to Virginia Beach, Kenna began to express an interest in music upon receiving a copy of U2’s The Joshua Tree. More records by influential artists such as The Beatles, Stevie Wonder, The Cure and The Cars followed, and remain as inspiration and influence of Kenna’s music today. His debut album, New Sacred Cow, co-produced by Chad Hugo of The Neptunes, is difficult to place in a single genre, containing elements of electronica, synth pop, post rock, and house music. Two singles, “Sunday After You” and “Freetime” followed the release of the album; the music video of the latter, along with “Hell Bent”, appeared sporadically on MTV2.
His new release, Make Sure They See My Face, drops August 21st, 2007.
THE ROXY Show Dates:
Filter Magazine Presents Revenge of the Sunset Strip - July 19th 2007
With a diverse array of influences, eclectic twosome J*DaVeY — female vocalist Jack Davey (b. Brianna Cartwright) and producer Brook D’Leau — deliberately evade the narrow categories of what urban music should sound like, not to mention that they defy normal conventions of pop music. Drawing equally from neo-soul, new wave, funk, and hip-hop, their melting pot of electronic soul and dance have made music-goers try to classify them somewhere between neo-soulstress Erykah Badu and new wave punks Talking Heads.
THE ROXY Show Dates:
Filter Magazine Presents Revenge of the Sunset Strip - July 26th 2007
Ca$$ette LA with The Gray Kid / Gold Chains - August 23rd 2007
Conceived in a London hospital and born to a Jewish doctor and a Gentile nurse, Pop Levi has led what one might call a “melodic” life. He began studying piano at 3, joined a gospel choir at 7, started collecting records at 9, and soon after wrote his first song, “Through The Window Of My Life”. He created a band with some flat mates called Super Numeri. Pop did a stint playing bass guitar on tour with Ladytron, all the while performing on occasion with Super Numeri. And eventually set out for solo success. His solo project shone mad success after SXSW 2007.
THE ROXY Show Dates:
August 2nd, 2007 Filter Magazine Presents REVENGE OF THE SUNSET STRIP with; The Shys, Grand Ole Party, The Procession
[youtube]http://www.youtube.com/watch?v=YpYK-KQBXrg[/youtube]
this is from the LA Weekly…
U.K. soul mama gets crowned on the Sunset Strip Monday, March 19, at the Roxy
By Ernest Hardy
Thursday, March 22, 2007 - 12:00 pmMonday, March 19, at the Roxy
Performing to a sold-out Roxy, Amy Winehouse gave a hilarious intro to the confessional song “You Know I’m No Goodâ€: After she had betrayed a lover, he asked if she even loved him. “I told him, ‘I do love you,’ †she recounted — adding with playful exasperation, “ ‘But, like, I get bored. I told you I’m no good!’ †The crowd loved it — and sang every song by heart, all night long.
Winehouse’s top-to-bottom brilliant sophomore album, Back to Black (Republic/Universal), is bursting with great, quotable lines, many as wry as they are poignant. One of the best is tucked in the driving, Motown-based “Tears Dry on Their Own,†where she admits: “Even if I stop wanting you/and perspective pushes through/I’ll be some next man’s other woman soon…â€
The word other is key here. That’s the woman who wears the scarlet letter — fallen, disgraced. Winehouse casually conveys volumes through a single word or phrasing choice throughout Black, a breakup album whose defining characteristic is working-class feminine wit. And I mean both types of wit — intelligence and humor, which Winehouse uses intuitively to express how obsession dovetails with addiction. References to booze and boozing, drugging and fucking-as-self-destruction crowd the text of this confessional album. The musical filter through which Winehouse pours it all is the girl-group sound of the early ’60s — the Shangri-Las, the Shirelles, the Ronettes and the Chiffons.
Live, Winehouse was noticeably nervous but utterly charming, singing for an audience who knew all the words to all the songs. She was in spectacular voice throughout, backed by a crack band (man, that horn section . . .) and two chicly attired male backup singers who energetically pulled off synchronized choreography. Winehouse’s own herky-jerky, off-the-beat dancing and ragged emulation of girl-group style somehow underscored an aura of sincerity (a matted beehive with an unkempt tail; an ill-fitting dress that kept sliding down her scary-thin frame; weathered leopard-print shoes rummaged from the back of some tranny’s closet). Her awkward performance of femininity befits a woman who can’t quite figure how to stop fucking up her relationships and her life.
To read the rest of the review check the LA Weekly
snaged this from perezhilton.com - thanks perez for the post!
Amy Winehouse is such a hot mess!
She is the stuff of legend, and on Monday night a who’s who of hipsters and Hollywood players were treated to a tour de force performance by the Rehab chanteuse.
You never know if Wino is gonna show up to a gig or if she’ll even make it through a show, but she more than held her own at The Roxy.
Unfortunately, fans expecting to see her at Spaceland in Silverlake tonight might be a tad disappointed. We hear she might be cancelling!
Why? Because the venue is too small and they won’t allow her 10+ person band to come with her.
Hopefully that will all get sorted out, but if it doesn’t…..well, that’s Amy Winehouse for ya!
To sing the blues you must live the blues. And she lives it.
To see the rest of the review check out more on perezhilton.com















